By H. L. Mencken
Edited and annotated by means of H.L.M., it is a choice from his out-of-print writings. they arrive commonly from books—the six of the PREJUDICES sequence, A publication OF BURLESQUES, IN safety of ladies, NOTES ON DEMOCRACY, creating a PRESIDENT, A ebook OF CALUMNY, TREATISE ON correct AND WRONG—but there also are journal and newspaper items that by no means obtained among covers (from the yank Mercury, the clever Set, and the Baltimore night solar) and a few notes that have been by no means formerly released in any respect.
Readers will locate edification and enjoyment in his estimates of quite a few Americans—Woodrow Wilson, Aimee Semple McPherson, Roosevelt I and Roosevelt II, James Gibbons Huneker, Rudolph Valentino, Calvin Coolidge, Ring Lardner, Theodore Dreiser, and Walt Whitman. these musically susceptible will take pleasure in his items on Beethoven, Schubert, and Wagner, and there's fabric for 100 controversies in his decisions on Joseph Conrad, Thorstein Veblen, Nietzsche, and Madame Blavatsky.
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Additional resources for A Mencken Chrestomathy: His Own Selection of His Choicest Writing
4). Their words resound heavily: we already know that Lady Macbeth has responded to her husband’s report of the witches’ prophecy by summoning a bird with quite different, more gothic connotations, the ominous ‘raven [. 37–9). The Cheek by Jowl theatre company production in 2010 presented 57 Duncan as a blind man, literalizing the sense of misprision that hangs over his arrival at Dunsinane. 65–6): her words echo with menace, since the providing that she anticipates is not the comfort and hospitality that might be expected.
Its long title Mr William 36 Shakespeares Comedies, Histories, & Tragedies. Published according to the True Originall Copies indicates its principle of organization: by genre. Macbeth appears in the tragedies, between Julius Caesar and Hamlet. No manuscript copies of Shakespeare’s plays exist, except for a few contested pages of Shakespeare’s probable contribution to a collaborative and unperformed play, Thomas More. All our editions, therefore, derive from printed texts, and all printed texts are marked by hands other than the author’s.
So, to return to the point where we began: what is the text with which we are working? The answer is that it is something slightly more unstable than the writing guides might suggest. We can work from the First Folio text, which has the advantage of age and priority – it is the earliest extant version – but cannot claim to be direct from Shakespeare’s quill. Its unfamiliar orthography (spelling) and presentation also make it more rebarbative to read: those u and v switches can be surprisingly baffling on the page.
A Mencken Chrestomathy: His Own Selection of His Choicest Writing by H. L. Mencken