By Johanna Lindsey
"In number one *New York instances *bestselling writer Johanna Lindsey’s pleasing regency romance, an blameless younger lady’s first brush with royal court docket intrigue lands her on the altar along one in all London’s so much infamous rogues.
For girl Rebecca Marshall, a whirlwind of pleasure starts whilst she turns into a maid of honor on the courtroom of Queen Victoria. but if Rebecca unknowingly steps into the competition among the Queen’s spymaster and a noblewoman who makes use of the maids as courtly spies, she is quickly entangled in an online of deceit with the captivating marquis Rupert St. John. The devastatingly good-looking ne’er-do-well is the cousin of Raphael Locke, with whom Rebecca was infatuated…He’s additionally a undercover agent of the crown who leads a double existence. convinced that guileless Rebecca is spying on *him, *Rupert seduces her—then, compelled to wed, he believes she has set a capture of the worst variety with a view to marry into his strong kinfolk! yet as he involves be aware of Rebecca’s actual middle, his vow of revenge and infidelity turns into a wish to percentage many passionate nights—*only *with his appealing wife.
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Extra info for A Rogue of My Own (Reid Family, Book 3)
18. The oriflamme was carried at Crécy by the seigneur de la Trémouille, who in fr 2662 appears below it and just in front of Philip VI (Trémouille’s arms were: or, a chevron gules, three eaglets azure; an eagle’s head is just visible on the surcoat of the figure placed in front of the French king). Representing Royalty in Some Manuscripts of Froissart’s Chroniques 17 19. Brussels Royal Library MS II 88, fol. 12, also contains the two juxtaposed scenes of Philip VI’s funeral and Jean II’s coronation, plus mourners, but the impact is not as dramatic as in Stonyhurst MS 1; the figures are less well executed, and the deployment of royal French heraldry is muted by comparison; nor are the Brussels manuscript fragments uniformly or consistently gallocentric, though the castle architecture is very similar to that in Stonyhurst MS 1 and Besançon MS 864.
See Damian-Grint (1999b: 349-67, esp. 353-58). See also the discussion of the word gloser in Möhren (1997: 139). 18. Chronique 27219-35 (the whole episode takes lines 27197-466). 19. At a very rough estimate, Benoît’s Chronique is over six times as long as its Latin originals. 20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31). 21. See Hunt (1979: 31); though Hunt also points out that ‘the metaphor is much commoner … in general contexts without reference to literary exegesis’ (see also 1979: 27, 29-31).
London & New York: Phaidon; 2nd edn 1969. 20 Peter Ainsworth ——— (1974). French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. 2 vols. London and New York: Thames & Hudson. Stratford, J. (1993). The Bedford Inventories: the worldly goods of John, Duke of Bedford, Regent of France (1389-1435). London: Society of Antiquaries of London. -H. (1986). ’ Romania 107: 282-368. Varvaro, A. (1994). ‘Il libro I delle Chroniques di Jean Froissart. ’ Medioevo Romanzo 19: 3-36.
A Rogue of My Own (Reid Family, Book 3) by Johanna Lindsey